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From Ralph Ellison’s essay on Minton’s Playhouse, 1958:
[Of] those who came to Minton’s… no one retained more than a fragment of its happening. Afterward the very effort to put the fragments together transformed them – so that in place of true memory they now summon to mind pieces of legend. They retell the stories as they have been told and written, glamorized, inflated, made neat and smooth, with all incomprehensible details vanished along with most of the wonder. (quoted by DeVeaux, S. in The Birth of Bebop, Univ of California 1997.)
Which is a useful description of how the process of recalling and retelling risks draining the very life out of the events we seek to capture. This is a fundamental limitation of any method we might devise for describing or relaying objectivity. Dealing in objectivity becomes elusive and awkward.